Bernard Rancillac Born 1931 in Paris, France, where he lives and works. As the co-organiser of the seminal exhibition Mythologies Quotidiennes in 1964 in Paris, considered to be the founding point of figuration narrative, Bernard Rancillac was at a very early stage engaged with a critical re-appropriation of pop art’s figurative language.
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An established French artist, Bernard Rancillac was one of the founders of the Narrative Figuration movement in 1964. He is highly interested in politics, a subject that influences his work. ? Emotion is necessary in the conception of any artistic creation,? he says.
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In 1961, Bernard Rancillac gets the prize for painting at the Biennial of Paris. In 1963, Rancillac (alongside Monory and Telemaque) is part of the nucleus of the New Figuration that is formed around the Gallery Fels (1963), movement in rupture with geometric abstraction.
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Bernard Rancillac (Paris, 1931) is one of the founders of narrative figuration. In this work a wheel is present (an industrial object), as a symbol of the turning of knowledge, and as a reference to Oriental understanding. The large spoon could represent the serving up of knowledge in spoonfuls. In this work Oriental spiritual elements are blended together, in allusion to how Western culture.
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Sarah Wilson’s The Visual World of French Theory: Figurations focuses on the artists associated with the major figures of what the Anglo-Saxon world has called “French Theory,” conceived in a broad way, and corresponding mainly to the 1970s. The various chapters are confrontations between Jean-Paul Sartre and Robert Lapoujade or Leonardo Cremonini, Pierre Bourdieu and Bernard Rancillac.
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